People. I just needed to share this as a super fun way to explore new-to-you musical ideas from different countries AND decades: Radiooooo! Now, it’s not complete as Cody and I were anxious to hear 1920’s music that was popular in India, but perhaps one day.
So go, pick your country and decade, and enjoy what pops up! radiooooo.com
Ok, once I get past the mortification that I haven’t written a post in a whiiiiiile and you forgive me, we can proceed. Good? Good.
It’s really a travesty because so many wonderful, creative, and challenging moments have happened and collectively I and my students have learned SO MUCH. But to practice what I preach, I need to just make progress, so instead of waiting for the stars to align for me to have time to write, I’m just going to get it out there.
To start, here is a list of things that make me so thankful and proud to be a cellist and teacher of such precious people. (air kisses to you all.)
My String Sprouts classes keep me full of hope for the future. These families work so hard with their kiddos and just LOVE their kids. That’s the best.
Amy Barston came and worked with our cellists and I am so thankful to have her as a cello friend. We all need these, and her willingness to share her expertise and experience with friends and strangers is such a gift.
My Pipsticks subscription makes me so happy. And my students happy. And the other teachers happy that get random sheets of stickers because they make me think of them.
I have had students selected for multiple masterclasses with incredible artists, and I am beyond proud. To put yourself on display to show your strengths and weaknesses and then be dissected by a brilliant musician in front of a large audience takes guts and grit. And my students have both, which is rad.
And to the liquid that makes all of this possible: I am grateful for good coffee. Or even bad coffee. I’m just grateful.
>> photos by @creativecoffee, filters by a color story and afterlight
Can you believe it’s that time again! I can – it has felt like ages since I’ve seen all my favorite cello pals. To get ready, let’s be sure to update your checklist:
- Practice what we mutually agreed on
- Fill out your practice chart
- List questions to ask during lesson
- Trim yo’ nails
- Bathroom break before lesson
- Wash your hands
- Get ready to be positive and creative!
- Keep an open mind
- Don’t forget to take notes!
Y’all. It has been an INCREDIBLE 24 hours in the studio. In order for one of my students to graduate from Twinkles, they have to finish the Twinkle Marathon: play all 6 Twinkle variations, in a row, with me accompanying them. It’s like 8 minutes straight of playing, so a huge feat for a tiny cellist.
AND 3 OF THEM COMPLETED IT IN 24 HOURS!
Students work on this with their parents for quite some time; they practice a few in a row at home over weeks/months, and then like marathon training play 6 in a row. (Come on, marathon runners don’t run 26.2 miles to prepare for it…) But seriously, that much music is almost the same length as a sonata movement. Oh, and while I play a harmony part, so add 30% confusion as they can’t visually watch me at all.
So I wanted to shout their stellar accomplishment from the rooftops! There’s something in the air in my studio – and I can’t wait to see what we can do with it. I know it is Groundhog Day, but I feel like we lived the perfect day on our first try.
Big shout out to littles K, C, and L – stellar job, tiny cellos!
Motivation comes in many forms, and one of the whimsical ways it currently shows itself is the “Ninja Hunt” in the studio.
Each week ninjas show up in random (and hidden) places and the students get a chance to look for them at the end of the lesson – if they didn’t locate them already. Sometimes it is easy, other days is hard. The fascinating thing is that the older students are equally invested in the fun (maybe even helping the ninjas hide some weeks.)
These “Practice Ninjas” look at the students from all angles, checking the bow hold, bow path, posture, and those hidden thumbs that students can conceal if you aren’t careful.
With recitals this Friday, it has been helpful to inject a bit of posture-oriented-fun into the lesson without having to be the teacher that is the enforcer 🙂 Enjoy the day everyone, and Ms. Ella Fitzgerald (or Lobster Fitzgerald) wishes you a happy and safe all- hallow’s eve!
- Help my students to attend more concerts and
- Encourage students to listen to more orchestral music
I’m going to post some playlists to help get us pumped up to explore new musical events! Welcome to the first one.
Saturday, October 1: Conservatory Camerata and Orchestra Omaha present Coming to America.
This is a beautiful show of an introspective Bloch Concerto Grosso no. 2, the roiling Dvorak Symphony no 6, and featuring my lovely colleage Yulia Kalashnikova on Prokofiev’s Piano Concerto no 1.
See you Saturday!
>> photos by @creativecoffee, filters by color story & afterlight
Old dead white guys. Guidonian hand. Sturm and Drang. WAGNER. Every professional musician must go through what usually seems to be wading through hundreds of years of probably-important-but-I-just-don’t-see-why details called Music History. This collection of information is supposed to teach us where we are going based on where we have been, but we get so lost in “sacred music of the 17th century” that we fall asleep and forget to ask how this helps us to be better musicians. Knowing when Mozart died only helps you slightly.
What I want is more knowledge about why they did what they did. For example, when Rossini wrote lyrics to “Di Tanti Palpiti” and says “It will be happy – my heart says, my destiny – near you” does it help you understand it more knowing he wrote the lyrics while waiting for risotto at a restaurant? I think it would.
So after years of complaining that music history classes haven’t found a way to connect music of today that all humans understand and connect it to music history of years past I just about fell off my chair when I came across Switched On Pop – a podcast of a songwriter and musicologist that did just that.
The first episode I listened to really struck a chord (ha!) because a few months ago a student complained that her middle school music history class was just so boring and I said “wouldn’t it be great if they could explain it to you and connect it to current artists students today like, such as Taylor Swift?” And what was the first episode I listened to by these two smarty-pants? The Oeuvre of Taylor Swift. At a later episode they equate how primal dance beats of “boom, boom, pow” can be traced back to a French renaissance composition of a cappella. (Insert mind blown emoji here.)
So I thought I would list a few podcasts that I currently love learning things from, in hopes that something sparks that “what? I have to tell someone this random fact!”
I’d love to hear if there are any other hidden gems I’m missing out on in this new (to me) world of podcasts! Here I’m listing a fun one about the evolution of the Star Spangled Banner (origins up through Beyonce!)
Star Spangled Banner
**Just to be clear, check for any explicit language if you are concerned (should be marked on each episode.)
>> photos by @creativecoffee, filters by color story & afterlight